Recently I picked up a multi-rotor drone to carry my HD camera. I’m having fun flying my drone, but now my videos feel all the same: running along a straight line, go up and take a 360, fly really low almost touching the bushes. Pretty pictures, but not really good video. Any ideas on how to script/arrange/film better videos for subjects as simple as “last weekend with friends”? –Ed Basic drones are mostly good for scene setting and beauty shots. Think fireworks from inside the blasts; an establishing montage of New York City between segments on a TV show; or…
There is no better show on television than AMC’s Better Call Saul, from Vince Gilligan and Peter Gould, ex of Breaking Bad. All four seasons are spectacular, but if you haven’t watched (or even if you have) it’s worth considering what makes it great. Great writing and acting, sure, but for me the best part of Better Call Saul is that every shot, every sequence, every episode is about intrigue- built by lensing in to the details. Season 1, Episode 1 doesn’t start with anything as obvious as an establishing shot of a shopping mall, or a freeway sign saying “Welcome to Omaha.” Nor does…

When I was a kid, the Armbrusters had a slide projector. Which meant that after every vacation they took, we’d troop dutifully to their house for endless carousels of badly-shot Kodachrome slides, narrated live. The slide show always seemed longer than the vacation itself. Washed-out, badly composed views of Disneyland or Paris—dotted here and there with the back of the head of someone we knew.
Today people record hours and hours of vacation video on a single chip. Instead of making you visit their living rooms, they trap you at parties, work, on the train– anywhere– and make you watch.
Who would do such a thing? Anyone with a smartphone. We have met the Armbrusters and they are us.
This week a post on Linked-In reminded me that all good video must “ask for the order” and contain a clear “call to action.” This concept was, as far as I can tell, invented by someone in an ad agency, maybe in the ’80s, and repeated enough that many people take it as gospel. The idea is that your marketing video must tell the customer exactly what you want them to do, and then request that they do it. Thus a TV commercial that includes the magic phrase “Buy a Toyota tomorrow and save $200!” is presumed to be way more…
I shoot videos and landscapes when I travel overseas. Obviously, I cannot shoot to a script or have much of a plan, since this is an unplanned vacation. How would I construct a story from random scenes in Berlin, Warsaw, Vienna, Budapest, etc? Usually I end up with a string of shots without any story. This is not what you recommend in your book. My friend Wendy will be travelling with me, but how could I include her in the video? Shots of her looking at the Danube from Buda and from Pest don’t seem to have much interest. Shooting her eating sauerkraut, etc. wouldn’t cut it either. Any ideas? –John…
People hate going to the movies with me. It’s not because I talk or text during films, because I religiously don’t do either. It’s what happens after the lights come up. “That was good” says my wife. “I enjoyed it” says my daughter. “The dialogue in the battle scene in act three sounded like it was cribbed from ‘Alien’” I say. And that’s when the conversation usually slows way down. As you get better at the film and video thing, what has happened to me may also happen to you: Your tolerance for mediocre work plummets. Terrible is terrible. Most…
A hero is who your story is about. A mute woman rescuing a monster she loves, a lawyer facing down the bigotry of his 1930s community to save a man’s life, a woman of color who wants to do math for NASA to save a mission– all great heroes. They each take big risks and strong actions. Seeing how that action turns out for them is what pulls us through the story. Generally speaking, the stronger the hero and the tougher the odds they face, the better the story. Which is why superheroes, who are larger than life by definition, make for exciting…
You write a lot about movies, home video, story, etc. It’s all great, and I use it when I shoot stuff. But I need to convince my company to do better marketing videos and I’m not shooting those. Any advice? -Jackson D., Denver The only thing worse than shooting awful marketing video is paying someone else to shoot awful marketing video for you. Critical in this age of video overpopulation: A crash course in video literacy for companies. The more you know about how video really works, the less likely you are to waste money and time on something nobody…
Throughout your book you talk about cutting, trimming, deleting, editing until you’ve removed all of the bad, redundant, boring parts of your project. What happens when you cut out all of the bad stuff and then you realize that you don’t have enough good material to complete the project? Are there strategies to make sure you shoot enough great material to edit? It’s too late to fix my first project (a music video), but I’d sure like to make sure it doesn’t happen on my next one. –Fred Knowing how much to shoot may be the second biggest issue a director faces on the set (the first:…
I make educational videos for computer enthusiasts on YouTube, but I have to do everything myself. Lighting, sound, script, talent, editing, posting, video description, video thumbnail, marketing… Problem is, without a crew, shots have to stay static. I can use digital zoom, but it gets ‘blocky.’ I had a friend help me with this video (one static camera, one my friend is holding). What I can do to make a better video? Thank you! –Carey Holzman Nice video, Carey. I rushed right out to buy some old parts and built a cool gaming computer for my guest bathroom. Okay, I didn’t, but after watching I…