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How to Shoot Video That Doesn't Suck

Video as a Collaborative Art

I just shot my first video ever, and had some trouble getting the actors to do what I wanted.

When you’re directing, how much of the performance is up to the you, and how much do you let the actor come up with?

-Nick

How much do I let the actor come up with?  All of it.  As much as I’d sometimes (fortunately rarely) like to climb inside an actor’s head and push all the buttons myself, I can’t.  Nobody can.  The actor has to do all the work.  I may try to help guide or manage, but you really can’t make actors do things they can’t– or don’t want to.

Usually directors who find it necessary to read every line, personally demonstrate every move and walk through the blocking get a lot less out of their actors than they’d like. After about 10 minutes of this, any decent actor is going to mentally retreat and phone in the rest of her performance.

But if you hire great talent, give them a clear picture of what you intend to happen and some space to contribute their own ideas, they’ll jump in and make it work.  The more space you give them, the more they throw themselves into the job.

Since nobody likes to be micro-managed, the “give people space” thing turns out to be true for everyone on the set, not just actors.  Which is good, because video is a collaborative art– you can’t do it by yourself.

Not only will you get great work when you invite great people to do their jobs creatively, you get surprising work– performances better than you expect, miraculous looking footage and terrific ideas from even the lowliest production assistant.  Great performances– from everyone– are what make great film.

Great Sound? No Problem.

Nothing makes it harder to enjoy a video than not being able to hear what people say (okay, leaving the lens cap on is pretty bad too.)

My friend Jay Rose, sound professional and author extraordinaire, sent along this amusing video showing how bad sound pulls you out of a video, and how to prevent it.

Great sound is not optional.

What are Eyelines and Why Should You Care?

Here is a video that I shot after reading your book. Most woodworking videos are painfully boring, but I and another woodworker are trying to change that.

Can you give me any more tips?

–Brian

I have to admit it did not take much imagination for me to picture a boring video about woodworking. But Brian’s done a great job of making his pretty cool.  Fun action shots, nicely framed, well edited.  This video is probably fascinating for anyone more likely to pick up a lathe than I am.  Which is pretty much everyone.

But for those who come to this site for video tips, let’s talk “eyelines.”

An eyeline is simply where an actor is looking when you’re shooting. (the famous Christian Bale Rant happened because someone walked through his eyeline– i.e. where he was looking– while he was acting a scene.) We care about eyelines because where an actor looks on screen give us information about his character.

For example in this video, I was wondering if Brian would be hurt by his lathe because he is obviously blind.  Why else would he always be fixedly staring into the distance while talking to us?  Okay, he’s not blind, as his master woodworking proves.  But some of the interview shots it’s hard to be sure because of where he’s looking– his eyeline.

For a more intimate interview look next time, Brian, try seating the interviewer right next to the camera, with her eyes at lens level.  Then when you look at her, you’ll be looking almost right at us.

Check your eyeline by playing back your video.  Make sure you like the message your look sends.

Do you have a question about video? Of course you do! Ask it here.

The Devils Ride and the Big Apple

This post consists entirely of self-serving news.  Exciting news, but self-serving nonetheless. Those who wonder when we people in the entertainment business will just shut up about ourselves can look here to find something else to read.

Motorcycles

I’m executive producing a new show for the Discovery Channel that debuts this Tuesday, May 8 at 10pm. It’s called The Devils Ride, and it’s about a San Diego Motorcycle Club. Here’s the cool Discovery Promo.  If you crave more info and can’t wait for Tuesday, Entertainment Weekly has an exclusive three minute sneak preview.

Vimeo Festival + Awards

I’ll be doing a cool new workshop on storytelling at the Vimeo Festival + Awards on June 9th in New York City.  The festival starts on the 8th, and features great parties, awards, screenings and lots of other video workshops.

I’m still writing the workshop but I’m pretty sure it’s about how to find the story in your video and why finding one makes your video more intriguing to an audience.  Even if it doesn’t have, say, a bunch of hard-ass bikers in it.

Should be fun- see you there!

Great Video on no Budget: It’s all in the Brains

Next time you get the question “how can we possibly do anything good with no budget?” pull out this video.

This is a well-shot video, don’t get me wrong.  But it involves three characters, inexpensive production on what looks like a found warehouse set, and cheap effects– on purpose. For all we can know from looking at it, it was shot on an iPhone.  What makes it a great, effective, and very funny video is the human brainpower that went into thinking about it ahead of time.

Great writing, a clear story and a great performance from the lead character.  Awesome.