I love the concept of using the static shot as much as possible in a video. My videos, since I’ve read your book, consist of mostly static shots unless a simple movement is either motivated or can not be avoided. The static shots are sharper, simpler, and clearer to the viewer. When I try to study modern day directors who use primarily static shots, I’m hard pressed to find any. I always go back to Howard Hawks’ RedRiver, Yasujiro Ozu’s Tokyo Story, or Hitcock’s Psycho. Are there modern day directors and/or films that still utilize this method of movie-making